ARTS & EVENTS

Lyrically Hellbent: The Words of Rhett Miller of the Old 97's

Photo by Lisa Johnson
THE ALT-COUNTRY MOVEMENT of the 1990s didn't produce many distinctive songwriters, which is one of many reasons why Old 97's frontman Rhett Miller still stands out among his peers.

Honing his wit on Elmore Leonard and his concision on Raymond Carver, Miller wrote and sang about bad come-ons and tricky hook-ups, playing the highly conflicted role of the guy your mother warned you about disguised as the guy your mother approves of. He's the unlikely lothario sporting thick-frame glasses, singing in a Texas twang and backed by one of the most underrated rock guitarists of the decade in fellow 97 Ken Bethea.

Way back on the Old 97's' 1994 debut, "Hitchhike to Rhome" (Big Iron), Miller turned the phrase "I can't find the words to make it right" into a song-ending hook, but the next 14 years, six albums and no telling how many songs have proven he can always locate just the right word.

With the release of the Old 97's return-to-form/return-to-Dallas seventh album, "Blame It on Gravity," here's take a look at Miller's defining lyrical moments.


1. "Wish the Worst" ("Hitchhike to Rhome", 1994)

Why am I here? I've got better things to do.
I could hang out on the pier, down by the Hudson, sniffin' glue.
I guess I'm a loser, but I like being miserable, swimming in sin.
I just wanna know where you been.

Unafraid to play the jerk, Miller breaks into his girlfriend's apartment, then gets bored and angry when she stays out late. But with this final verse, he transforms the song from a loser's lament into a troubling existential quandary that would inform his songs for years to come.


2. "Doreen ("Hitchhike to Rhome," 1994/"Wreck Your Life," 1995)

When I first met Doreen
She was barely seventeen.
She was drinking whiskey sours in the bar.
The way she tossed 'em back
I would've had a heart attack.
But as it is I let her drive my car.

If Miller didn't come across as so messed up himself, his songs about femme fatales might seem a little too mean. Fortunately, he's usually the butt of his own jokes. Doreen may be jailbait, but she can drink him under the table and still convince him to give her the keys. A less lovesick man might've seen all the heartache to come.

3. "If My Heart Was a Car" ("Hitchhike to Rhome," 1994/"Alive & Wired," 2005)

And if my heart was a car
You would have stripped it down and sold it off
To the greasy man in the salvage lot
As it is it's just a heart
No, it ain't worth nothin'.

His heart gets crummy gas mileage and has no resale value.


4. "Barrier Reef" ("Too Far to Care," 1997)

So I sidled up beside her
Settled down and shouted hi there
My name's Stewart Ransom Miller
I'm a serial lady killer.

The ultimate Rhett Miller song, this epic in miniature shows a slightly sloshed Miller picking up a woman in a bar called the appropriately named Empty Bottle. In the end, nothing comes of it, but at least he she gives as good as she gets: To his funnier-than-it-should-be pick-up line, "She said I'm already dead, that's exactly what she said."


5. "Big Brown Eyes" ("Wreck Your Life," 1995 / "Too Far to Care," 1997)

I wish you were here
I wish I was too
I'll drink myself to sleeplessness, I always do.

You could quote pretty much any line in this song ("I'm calling time and temperature just for some company"), but few of Miller's lyrics express the depth of his troubled heart as succinctly as these three lines, which adds a pinch of humor to make it hurt just that much more.

6. "Victoria" ("Wreck Your Life," 1995)

This is the story of Victoria Lee,
She started off on Percodan and ended up with me.
She lived in Berkley till the earthquake shook her loose.
She lives in Texas now where nothing ever moves.

One of the best opening verses ever.


7. "Bel Air" ("Wreck Your Life," 1995)

And I should say this before the whole thing even starts,
I'll stomp a mud hole in your heart.

As always, he knows how the whole thing will end, but can't stop himself from starting it up anyway.


8. "Indefinitely" ("Fight Songs," 1999)

Well, the room was Mediterranean
And the meaning was twofold
We got busted by your mother
Though you're 29 years old.

As the Old 97's' career progressed, Miller left behind his serial lady killing ways and started writing about the pitfalls of slightly more mature relationships, like the embarrassment of being busted by your hook-up's mom.


9. "Rollerskate Skinny" ("Satellite Rides," 2001)

Love feels good when it sits right down
Puts its feet up on the table and it sends a bowl around.

Just when Miller's love life seems to be on the upswing, he ends the songs with what could be his epitaph: "I believe in love, but it don't believe in me."


10. "Designs on You" ("Satellite Rides," 2001)

I don't want to get you excited,
Except secretly I do.
I'd be lying if I said I didn't have designs on you.

Just a few tracks after a sincere ode to popping the question ("A Question"), Miller admits to having designs on an engaged woman, even promising he won't tell a soul "except the people in the nightclub where I sing." That admission raises the question: Does Miller behave this way so he can write songs about it, or does he write songs that make him behave this way?

» 9:30 Club, 815 V St. NW; Tue., 7 p.m.; $20; 202-265-0930. (U St.-Cardozo)

Written by Express contributor Stephen M. Deusner

Photo by Lisa Johnson

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COMMENTS (6)
  • Great post. I love reading Rhett's lyrics. He really is good at what he does.

    Although in Barrier Reef I've always believed that something DID become of his pick-up line. Would you agree?

    "My heart wasn't in it. Not for one single minute. But I went through the motions
    with her on top and me on liquor."

    Oh yes, something did become of Rhett and that lady from the Empty Bottle.

    By Isabel , Posted July 29, 2008 6:19 PM
  • I agree about the perfection of "Doreen" but the pinnacle of lyrical genius is the last verse:

    We're heading into Cleveland
    in a seven seater tour van
    there's eight of us so I'm sleeping on the floor
    the guy that plays the banjo
    keeps on handing me the Old Crow
    which multiplies my sorrow
    I can't take it anymore

    Brilliant.

    By Engineer Rip , Posted July 29, 2008 9:56 PM
  • I can't believe that they didn't mention 504 in an article about Rhett's song writing - it's basically his version of ars poetica. A singer/songwriter writing about a writer writing about a singer? Yes Please! Plus, it has all these beautiful little nuggets - "she's the one who finds the body. he's the one that gets away." "The hero wears a hairnet from the outset." "she had me singing gospel... out in the kitchen on the floor". Gorgeous!

    I was playing every Monday on Burgundy in some shitty little bar.
    I was working on a novel called New Orleans Ain't No City - It's a Scar.
    The heroine does heroin, the hero wears his hair just like The King.
    He says, "It ain't my job to sweet talk you. My job's just to sing."

    By erin eliese , Posted July 30, 2008 7:29 PM
  • Not to nitpick, but I overheard Rhett after a show tell a fan that Wish the Worst is written from the perspective of the girlfriend, i.e., she's the one breaking into his apartment, not the other way around.

    FWIW, I never caught it either.

    By Chiller , Posted July 30, 2008 7:59 PM
  • I like the post. As some people point out, a lot of other lyrics could be quoted, but I think the main points are good. The only thing I would say is that it might be a mistake to assume that the speaker in all these songs is actually Rhett Miller. I always thought one of the attractions to his songs is that he's crafted a great character of the type the writer describes--not that he actually is this guy. I dunno...

    By Dustin , Posted July 31, 2008 10:16 AM
  • I was at a show where Rhett laughed about "what a jerk" the guy in Designs on You is. "It isn't me", he said.

    By alex , Posted August 8, 2008 2:39 PM
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