<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0">
   <channel>
		  <title>Top Stops</title>
	
      <language>en</language>
      <copyright>Copyright 2008</copyright>
      <lastBuildDate>Fri, 05 Dec 2008 01:00:28 -0500</lastBuildDate>

	      <item>
         <title>Symphonic Splendor: &apos;Trumpet of the Swan&apos;</title>
         <description><![CDATA[<p><img alt="Image courtesy Kennedy Center" src="http://www.expressnightout.com/newsletter/photos/20081206-swan250.jpg" width="250" height="250" align=right hspace=5 vspace=5/><strong>IF YOU ENJOY</strong> musicals &#8212; and who among us does not? &#8212; you might know of <strong>Jason Robert Brown</strong>. He's a young composer who has taken the young man angst that made <strong>Ben Folds</strong> so popular, otherwise known as "I'm a vaguely dissatisfied, self-absorbed young white guy who plays the piano really well," and translated it into musicals. But  now he's writing orchestral music for a new adaptation of "<a href="http://www.kennedy-center.org/calendar/index.cfm?fuseaction=showEvent&event=KJTBB">Trumpet of the Swan</a>," the beloved children's story. </p>

<p>The script is by Pulitzer Prize-winning playwright <a href="http://en.wikipedia.org/wiki/Marsha_Norman">Marsha Norman</a> and <a href="http://www.imdb.com/name/nm0000870/">Kathy Bates</a> stars, but the real draw should be Brown's music. </p>

<p><b>&raquo;</b> <a href="http://expressnightout.com/thescene/details.php?venueid=1119816">Kennedy Center</a>, <em>2700 F St. NW; Thu.-Sat., Dec. 4-6, 7:30 p.m., $18-$35; 202-467-4600. (Foggy Bottom)</em></p>

<p><em>Image courtesy Kennedy Center</em></p>]]></description>
         <link>http://www.expressnightout.com/content/2008/12/symphonic_splendor_trumpet_of_the_swan.php</link>
         <guid>http://www.expressnightout.com/content/2008/12/symphonic_splendor_trumpet_of_the_swan.php</guid>
         <category>Top Stops</category>
         <pubDate>Fri, 05 Dec 2008 01:00:28 -0500</pubDate>
      </item>
            <item>
         <title>Very Spacial People: Jane Franklin Dance</title>
         <description><![CDATA[<p><img alt="Photo courtesy Flashpoint" src="http://www.expressnightout.com/content/photos/20081204-incidence-450.jpg" width="450" height="413" align=center hspace=5 vspace=10 /><br />
<strong>IT'S SOMETIMES</strong> hard to snap out of the daily routine. Too often it's only when something beyond our control intervenes in our lives that we change course.</p>

<p>That's the conundrum explored in "Incidence," the <a href="http://janefranklin.com/">Jane Franklin Dance company</a>'s multimedia dance performance at the <strong>Mead Theatre Lab</strong> at <a href="http://www.flashpointdc.org/homepage.html">Flashpoint</a> through Dec. 14.</p>

<p>The experimental work, a collaboration between the Arlington-based dance troupe and local sculpture and sound artists <strong>Howard Connelly</strong> and <strong>Gina Biver</strong>, builds from an evolving script that can never be performed the same way twice.</p>

<p>The performance centers on a life-size, movable art apparatus that serves as the catalyst for the dancers' movements. The sculpture inadvertently directs the dancers depending on how they interact with it and affect its position within the space.</p>]]></description>
         <link>http://www.expressnightout.com/content/2008/12/very_spacial_people_jane_franklin_dance.php</link>
         <guid>http://www.expressnightout.com/content/2008/12/very_spacial_people_jane_franklin_dance.php</guid>
         <category>Arts &amp; Events</category>
         <pubDate>Thu, 04 Dec 2008 01:00:53 -0500</pubDate>
      </item>
            <item>
         <title>Wait &amp;#8212; That Was Funny: Todd Barry</title>
         <description><![CDATA[<p><img alt="Photo by Matthew Rodgers" src="http://www.expressnightout.com/content/photos/20081204-toddbarry-300v.jpg" width="200" height="260" align=right hspace=5 vspace=5 /><strong>TODD BARRY'S</strong> stand-up is laid back but angry, rooted in everyday life but not observational, and always completely surprising. Barry, best known as the "third Conchord" on HBO's "<strong>Flight of the Conchords</strong>," performs at the <a href="http://www.dcimprov.com/">Improv</a> this weekend. </p>

<p>If you can't wait for the funny, <a href="http://toddbarry.com/">toddbarry.com</a> is a worthy collection of randomness, including his "receipt museum" and photos of the comic with and without squirrels.</p>

<p><b>&raquo; EXPRESS:</b> What's it like inside your brain? Is there a hamster on a wheel or melting clocks or what?<br />
<b>&raquo; BARRY:</b> There are several hamsters on several wheels looking at several melting clocks. </p>

<p><b>&raquo; EXPRESS:</b> Do you create your material in terms of your delivery, or are you just a laconic guy?<br />
<b>&raquo; BARRY:</b> I don't really go, "Oh, this would be funny, especially with my delivery." It's not that calculated. </p>]]></description>
         <link>http://www.expressnightout.com/content/2008/12/wait_that_was_funny_todd_barry.php</link>
         <guid>http://www.expressnightout.com/content/2008/12/wait_that_was_funny_todd_barry.php</guid>
         <category>Arts &amp; Events</category>
         <pubDate>Thu, 04 Dec 2008 01:00:51 -0500</pubDate>
      </item>
            <item>
         <title>True Indie: &apos;Smoke Signals&apos;</title>
         <description><![CDATA[<p><img alt="Photo courtesy Miramax" src="http://www.expressnightout.com/content/photos/20081204_-smoke-signals250.jpg" width="250" height="200" align=right hspace=5 vspace=5/><strong>"<a href="http://www.imdb.com/title/tt0120321/">SMOKE SIGNALS</a>"</strong> was the first movie written, directed and produced by <strong>American Indians</strong>. See the 1988 award-winner Sunday.</p>

<p><b>&raquo;</b> <a href="http://www.expressnightout.com/thescene/details.php?venueid=831249">National Museum of the American Indian</a>, <em>4th Street & Independence Avenue NW; Sun., Dec. 7, 2 p.m., free, 202-633-1000. (L'Enfant Plaza)</em></p>

<p><em>Written by Express' Nathan Martin<br />
Photo courtesy Miramax</em></p>]]></description>
         <link>http://www.expressnightout.com/content/2008/12/true_indie_smoke_signals.php</link>
         <guid>http://www.expressnightout.com/content/2008/12/true_indie_smoke_signals.php</guid>
         <category>Top Stops</category>
         <pubDate>Thu, 04 Dec 2008 01:00:49 -0500</pubDate>
      </item>
            <item>
         <title>The Quiet Queen: Iris Dement</title>
         <description><![CDATA[<p><img alt="20081204-iris-dement250.jpg" src="http://www.expressnightout.com/content/photos/20081204-iris-dement250.jpg" width="250" height="200" align=right hspace=5 vspace=5/><strong>EVEN IF YOU</strong> haven't heard the voice, you've heard its influence. </p>

<p><a href="http://www.irisdement.com/biography.html">Iris Dement</a>'s scraggly, soulful brand of folk-country quietly holds its own place in the musical landscape. She makes her way to the <a href="http://www.birchmere.com/">Birchmere</a> on Sunday. </p>

<p><b>&raquo;</b> <a href="http://www.expressnightout.com/thescene/details.php?venueid=795388">Birchmere</a>, <em>3701 Mt. Vernon Ave., Alexandria; Sun., Dec. 7, 7:30 p.m., $35, 703-549-7500.</em></p>

<p><em>Written by Express' Nathan Martin </em><br />
</p>]]></description>
         <link>http://www.expressnightout.com/content/2008/12/the_quiet_queen_iris_dement.php</link>
         <guid>http://www.expressnightout.com/content/2008/12/the_quiet_queen_iris_dement.php</guid>
         <category>Top Stops</category>
         <pubDate>Thu, 04 Dec 2008 01:00:38 -0500</pubDate>
      </item>
            <item>
         <title>Blame Canada: Christmas Revels</title>
         <description><![CDATA[<p><img alt="20081204_revels450.jpg" src="http://www.expressnightout.com/content/photos/20081204_revels450.jpg" width="450" height="200" align=center hspace=5 vspace=10/><br />
<strong>THIS YEAR</strong>, the <a href="revelsdc.org">Christmas Revels</a> draw inspiration from French-speaking <strong>Canada</strong>. The  party starts on Saturday night at <a href="http://www.lisner.org/">Lisner</a>.  <br />
 <br />
<b>&raquo;</b> <a href="http://www.expressnightout.com/thescene/details.php?venueid=1119122">Lisner Auditorium</a>, <em>730 21st St. NW; Dec. 6-7  & 12-14., $12-$45, 800-595-4849. (Foggy Bottom-GWU)</em></p>

<p><em>Written by Express' Nathan Martin</em></p>]]></description>
         <link>http://www.expressnightout.com/content/2008/12/blame_canada_christmas_revels.php</link>
         <guid>http://www.expressnightout.com/content/2008/12/blame_canada_christmas_revels.php</guid>
         <category>Top Stops</category>
         <pubDate>Thu, 04 Dec 2008 01:00:30 -0500</pubDate>
      </item>
            <item>
         <title>A Classic Rocks: &apos;A Christmas Carol&apos;</title>
         <description><![CDATA[<p><img alt="Photo courtesy Ford's Theatre" src="http://www.expressnightout.com/content/photos/christmascarol250.jpg" width="250" height="200" align=right hspace=5 vspace=5/><strong>IF HE WERE</strong> a) not fictional and b) not living in the 19th century, <strong>Tiny Tim</strong> wouldn't miss <a href="http://www.fordstheatre.org/">Ford's Theatre</a> annual production of <strong>Dickens</strong>' cautionary "<a href="http://www.shakespearetheatre.org/harmancenter/plays/details.aspx?id=162&source=l">A Christmas Carol</a>." </p>

<p>Yes, you know the story, but no, it won't hurt you to hear it one more time, and even if your heart is two sizes too small &#8212; so to speak &#8212; you might just feel a twinge of <strong>Christmas</strong> cheer.</p>

<p><b>&raquo;</b> <a href="http://www.expressnightout.com/thescene/details.php?venueid=1121362">Lansburgh Theatre</a>, <em>450 7th St. NW; through Dec. 28., $33-$65, 202-547-1122. (Gallery Place)</em></p>

<p><em>Written by Express' Nathan Martin<br />
Photo courtesy Ford's Theatre</em></p>]]></description>
         <link>http://www.expressnightout.com/content/2008/12/a_classic_rocks_a_christmas_carol.php</link>
         <guid>http://www.expressnightout.com/content/2008/12/a_classic_rocks_a_christmas_carol.php</guid>
         <category>Top Stops</category>
         <pubDate>Thu, 04 Dec 2008 01:00:18 -0500</pubDate>
      </item>
            <item>
         <title>Pretty Trippy: &apos;Multiverse&apos;</title>
         <description><![CDATA[<p><img alt="multiverse450" src="http://www.expressnightout.com/content/photos/multiverse450.jpg" width="450" height="200" align=center hspace=5 vspace=10/><br />
<strong>FOR THE NEXT</strong> year the concourse between the East and West buildings of the <a href="http://www.nga.gov/">National Gallery of Art</a> will be home to "<strong>Multiverse</strong>," a 41,000 LED-node exhibition filling the 200 feet between buildings. It's an ever-changing, shimmery display that just might keep you riding the moving walkway all day. </p>

<p><b>&raquo;</b> <a href="http://expressnightout.com/thescene/details.php?venueid=791895">National Gallery of Art</a>, <em>4th Street & Constitution Avenue NW; 202-789-3044. (Smithsonian)</em></p>

<p><em>Written by Express' Nathan Martin</em><br />
</p>]]></description>
         <link>http://www.expressnightout.com/content/2008/12/pretty_trippy_multiverse.php</link>
         <guid>http://www.expressnightout.com/content/2008/12/pretty_trippy_multiverse.php</guid>
         <category>Top Stops</category>
         <pubDate>Thu, 04 Dec 2008 01:00:05 -0500</pubDate>
      </item>
            <item>
         <title>Growing Up on Camera: &apos;War Child&apos;</title>
         <description><![CDATA[<p><img alt="20081203-war-1.jpg" src="http://www.expressnightout.com/content/photos/20081203-war-1.jpg" width="450" height="541" align=center vspace=10/><br />
<strong>EMMANUEL JAL BRIMS</strong> with the sort of charisma that only stars possess. But it's telling that his magnetism still showed when he was a 7-year-old child soldier in <strong>Southern Sudan</strong>, not just now as an adult hip-hop artist and international activist.</p>

<p>The footage of <a href="http://www.emmanueljal.org/">Jal</a> in a late-1980s refuge camp in <strong>Ethiopia</strong> was shot by a French journalist who was documenting the exodus of people from war-torn Sudan, whose southern area then was what <strong>Darfur</strong> is now. But the video almost didn't make it into the documentary "<strong>War Child</strong>" by <strong>D.C.</strong> filmmakers <strong>C. Karim Chrobog</strong> (director and producer) and <strong>Afshin Molavi</strong> (producer).</p>

<p>"We were nearly done with the film," Chrobog said, "and we had one still image of him as a child. And toward the end, <a href="http://www.myspace.com/emmanueljal">Emmanuel</a> called me from <strong>London</strong> and said, 'Karim, I have this DVD that somebody just gave me on the street; a Sudanese buddy of mine. And apparently I'm in the [40-minute] film &#8212; and I'm 7 years old."</p>]]></description>
         <link>http://www.expressnightout.com/content/2008/12/growing_up_on_camera_war_child.php</link>
         <guid>http://www.expressnightout.com/content/2008/12/growing_up_on_camera_war_child.php</guid>
         <category>Arts &amp; Events</category>
         <pubDate>Wed, 03 Dec 2008 13:43:24 -0500</pubDate>
      </item>
            <item>
         <title>Dutiful Update: &apos;Call of Duty: World at War&apos;</title>
         <description><![CDATA[<p><img alt="20081203-duty-1.jpg" src="http://www.expressnightout.com/content/photos/20081203-duty-1.jpg" width="450" height="253" align=center vspace=10/><br />
<strong>LAST YEAR, ACTIVISION</strong> and <strong>Infinity Ward</strong> reinvented their popular World War II first-person shooter franchise "<strong>Call of Duty</strong>" by tossing aside the familiar (and overdone) WWII setting and delving into a gritty fictionalized present-day war zone with "<strong>Call of Duty 4: Modern Warfare</strong>." </p>

<p>The update was met with resounding applause from critics and players, and raked in awards and sales. This year, Activision handed the developer reins to Treyarch, the team responsible for the less well-regarded "<strong>Call of Duty 3</strong>," which promptly shifted the timeline back to WWII with "<strong>Call of Duty: World at War</strong>." </p>

<p>But to call this game a simple retread doesn't quite do it service, as there are plenty of twists and tweaks that elevate it from the dozens of clones on the market and make it a worthy follow-up to last year's smash hit.</p>]]></description>
         <link>http://www.expressnightout.com/content/2008/12/dutiful_update_call_of_duty_world_at_war.php</link>
         <guid>http://www.expressnightout.com/content/2008/12/dutiful_update_call_of_duty_world_at_war.php</guid>
         <category>Arts &amp; Events</category>
         <pubDate>Wed, 03 Dec 2008 09:34:00 -0500</pubDate>
      </item>
      
   </channel>
</rss>
